Archive for the Category ◊ Music BLOGS ◊

• Thursday, July 22nd, 2010

Fri JULY 23rd — ITHACA NY — O’Shanigans CONTRA ROOTS party at Bethel Grove! O’Shanigans are back for a fabulous Contra Dance at Bethel Grove Community Center with the phenomenal Ted Crane calling the dances at 1825 Slaterville Road (Rt 79 about 4 miles east of Ithaca) Ithaca NY from 8-11 pm. Don’t miss this celebration of the roots of New England folk dance! This is an authentic Old New England style venue with a newly refinished dance floor! Bring clean shoes, a water bottle and YOUR FRIENDS! All dances taught, No partner needed. Sponsored by: TCCD - Tompkins County Country Dances.

O’Shanigans is Tim Ball on fiddle, Mike Ludgate on mandolin and tenor banjo and Phil Robinson on guitar.

BAND WEBSITE http://www.canaaninstitute.org/oshanigans.html
VENUE WEBSITE http://tedcrane.com/DanceDB/DisplayDance.com?key=US_NY_ITH_TCCD
VENUE’S POSTER http://canaaninstitute.org/photos/TCCD_Insert_current.pdf
BAND’S EVENT POSTER http://canaaninstitute.org/docs/Oshanigans_current_poster.pdf
FACEBOOK EVENT http://www.facebook.com/event.php?eid=114971911883362

NPR: Youth Flock To Contra Dancing — Contra dancing has been around since the 1700s. If you don’t know it — it’s kind of like square dancing but with long lines of dancers. The dance is having a renaissance around the country thanks to a thriving youth scene and incredibly lively acoustic music. Article by Marika Partridge on All Things Considered NPR July 2nd 2010 http://www.npr.org/templates/story/story.php?storyId=128273050

DIRECTIONS to this DANCE — http://tedcrane.com/DanceDB/DisplayVenue.com?key=US_NY_ITH_BG Bethel Grove Community Center 1825 Slaterville Road (NYS Rt.79) (from Ithaca take State Street east to Rt. 79, about four miles from the Ithaca Commons; a few hundred yards past the Bible Church) Google Maps http://maps.google.com/maps?f=q&source=s_q&hl=en&geocode&q=1825+Slaterville+Rd%2C+Ithaca%2C+NY+14850&sll=42.41161%2C-76.29505&sspn=0.008523%2C0.01929&ie=UTF8&hq&hnear=1825+Slaterville+Rd%2C+Ithaca%2C+Tompkins%2C+New+York+14850&ll=42.40552%2C-76.432515&spn=0.034097%2C0.077162&z=14

More information About Contra Dancing:
http://www.greatmeadowmusic.com/music.html
http://en.wikipedia.org/wiki/Contra_dance
http://tedcrane.com/DanceDB/DisplayDance.com/US_NY_ITH_TCCD
http://hands4dancers.org/
http://www.syracusecountrydancers.org/
http://contra.binghamtondance.org/contra_calendar.htm
http://www.thedancegypsy.com/
http://www.youtube.com/watch?v=qTtEOaruqr4
http://www.npr.org/templates/story/story.php?storyId=128273050

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• Wednesday, June 02nd, 2010

Ithaca Festival Jam Tent 2010 - sponsored by Ithaca Guitar Works and Ludgate Farms.
http://www.guitarworks.com/ and http://www.ludgatefarms.com/

More info on the forum http://canaaninstitute.org/mikesmusic/viewtopic.php?p=3322#3322

Sunday June 6th 2010 from 11:30 am until 9:00 pm at Stewart Park at the Jam Tent (near the entrance and family fun tent). We have 6 jams again this year. These are all jams loosely related to sessions and sings that happen in and around the Ithaca area on a regular basis. Time slots and band leaders subject to change at the last minute. See this music forum thread for updates http://canaaninstitute.org/mikesmusic/viewtopic.php?p=3322#3322

11:30 am - 1:00 pm – CAJUN JAM (Traditional Cajun maybe a little Zydeco) — The origins of Cajun music started in the north when the Acadians were forced to migrate from Nova Scotia to Louisiana in the late 1700’s. This is a rich and unique American music style. This will be an open acoustic only instrumental jam as are all the others in the Ithaca Festival Jam Tent listed below. Contact person: Greg Grodem rjgreg@lightlink.com

1:00 PM - 2:30 pm –SINGING JAM
(Folk Songs) — This is a sing-a-long, where anyone can lead. Songs your parents sang when you were little, songs you sang at camp, songs that mean a lot to you right now. Instruments are welcome for back up, but the focus for this jam is on voices. Bring a song to share, chime in on a chorus or just listen, everyone is welcome! Contacts: Jim Harper jimh@jhdesigns.com or Richie Holtz richard_holtz@verizon.net

2:30 pm - 4:00 pm — OLD-TIME JAM (Appalachian Fiddle Tunes) — Southern old-time music was born when African rhythms and syncopation began to influence the fiddle dance tune tradition. Old-time jams often include guitar, clawhammer banjo, fiddle, mandolin, dulcimer, voices, and tapping feet to keep the rhythm. Tunes are usually passed along by oral tradition, but chord charts are available for many of the tunes, and musicians of any level are welcome. The emphasis is on getting into a groove for each tune, allowing each musician room to improvise within the structure of the tune. Contact: Laura Taylor lbt1@cornell.edu

4:00 pm - 5:30 pm – BLUEGRASS JAM (Traditional Bluegrass) — Bluegrass is American roots music comprising a rich fusion of traditions from the British Isles, jazz, blues, and country. This jam features fiddle, mandolin, banjo, guitar, dobro, upright bass, and vocals, and each instrument has the opportunity to improvise around the melody in wildly creative ways. All skill levels are welcome! Contact: Philip Robinson philip.robinson@cornell.edu

5:30 pm -7:00 pm – CONTRA TUNE JAM (New England Fiddle Dance Tunes) — We will be playing “fiddle tunes” suitable for contra or square dancing. These tunes originate from New England, Canada, British Isles and parts of Europe . This is an open instrumental jam where typical instruments are fiddle, guitar, mandolin, banjo (4 or 5 string), accordion, acoustic bass and occasional woodwinds such as flute or clarinet. This group typically works from the Ithaca “YFN tuneset”. All skill levels welcome, come join us! Contact person: Michael Ludgate michael.ludgate@gmail.com

7:00 pm - 9:00 pm — IRISH SESSION (Traditional Irish) — This session will be run in traditional Irish session style, which is generally full speed ahead and often stringing 2 or 3 tunes together at a time. All skill levels welcome: the tunes are fast, but the only way to “get the feel” is to jump in and try! Contact persons: Ed McGowan, Scott Whitham or Mark Bickford scott.whitham@gmail.com

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Author: Lesley
• Sunday, November 15th, 2009

The Kitchen Theatre opens a play this week called Last Train to Nibroc, by Arlene Hutton.  In addition to being a beautiful, romantic play performed by two stellar actors, it’s a wonderful chance to hear some great old style music by local musicians.

The Pearly SnapsThe main musical theme, entitled “Home”, was composed by Ithaca College student Rob Dietz in the style of an early bluegrass waltz.  Dietz is the conductor of Ithacappella, IC’s award-winning male a cappella group. Joining Dietz at Rep Studio to record the music for Last Train to Nibroc was Harry Nichols, guitar, Stephanie Jenkins, banjo & vocals, and Rosie Newton, fiddle & vocals.  Harry is a member of Ithacappella and plays with Rob in a folk/blues duo called Passing Through (http://www.myspace.com/musicpassingthrough).  Stephanie and Rosie play together locally as The Pearly Snaps (http://www.myspace.com/thepearlysnaps).  Both duos are great–so musical and tight.  Bringing them together was a blast. They created a gorgeous sound pretty much instantly.

Passing Through

Also part of the score for the production is the old time tune, “Sally Ann”, and an old shape note hymn, “Here in the Vineyard” sung in beautiful harmony by Stephanie, Rosie, and Rob.The music is gorgeous, and along with the period costumes designed by Lisa Boquist, really transports you to the 1940s.  Performances are Wednesdays through Sundays, November 18 - December 6.
Read more about the play at http://www.kitchentheatre.org/lasttrain.html.
Listen to samples:
Here in the Vineyard - Stephanie Jenkins, Rosie Newton & Rob Dietz
Home - melody by Rob Dietz, performed by Rosie Newton, fiddle & Harry Nichols, guitar
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Author: Pamela_G
• Thursday, May 07th, 2009

Sunday, May 17, 2009; Workshop 3-5pm, Concert at 7pm

A workshop and concert by Pamela Goddard & Colleen Cleveland
Ticket information: $10 for the workshop, $5 for the concert.

A musical tour through the landscape of New York, touching song roots in England, Scotland, and Ireland. Colleen and Pamela will talk about what traditional songs and ballads are, compare and contrast actual songs, swapping versions of some of the most common and popular. During the workshop Colleen and Pamela will talk about family traditions and how they came to learn and promote these songs. There will also be opportunities for audience/workshop participation - singing on choruses and refrains, maybe learning a short ballad/song. Theconcert will present much of the same material, but with more singing of the songs and less chat. The concert is also a Syracuse release of Pamela’s second CD, “Quietness.”

Colleen Cleveland of Brant Lake is a descendant of Scottish and Irish settlers to northern New York and her family’s music and stories includes ancient ballads or story-songs, for which the Scots are known. Colleen’s grandmother, Sara Cleveland, was a nationally famous ballad singer of her generation. After Sara’s death in 1987, Colleen and her father, Jim, began singing the family’s songs in public. In addition to about 400 songs of the 
British Isles, the family repertoire includes songs from a variety of other popular sources. Like her traditional counterparts in Scotland and Ireland, Colleen usually sings unaccompanied. Some of the family’s very old ballads are unique variants that have not been collected from any other North American source.

Pamela Goddard of Danby has been passionate about folk songs ever since she sang along with her father as a 6-year-old. For her, songs are historic documents that describe the peculiar quality of  the land and the life of the people who live there. “They water my roots,” she says, “and are dedicated to my grandparents from  coastal New England, from the coal fields of Pennsylvania, and from the hills of Tennessee.” Pamela performs ballads in traditional fashion, usually a cappella or accompanying herself on a lap dulcimer. She also calls dances regularly throughout the Finger Lakes region. Pamela has two CDs of her singing. The first of these, As Time Draws Near, was released in 2005. Her new CD, Quietness, will be released at the May 17 show at ArtRage.

ArtRage Gallery
505 Hawley Avenue, Syracuse, New York   
315-218-5711
HOURS: W, Th, F 2-7pm & Sat. 12-4pm
info@artragegallery.org 
www.artragegallery.org 
ArtRageous art for peace & social justice
ArtRage is handicapped accessible
Off street parking at 404 & 414 Lodi Street

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Author: Guest
• Monday, April 06th, 2009

From Matthew Falise …

I wanted to pass along a link to a blog I have been reading lately that I think some of you may be interested in:

http://thedailyguru.blogspot.com/

It’s a guy who has taken it upon himself to review one “must own album” every day, for the entire year.  He writes pretty well and his picks span the gauntlet of musical genres.  I’ve been hipped to a couple of new things because of his entries.  Thought I’d give him a little free publicity.

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Author: Dan_S
• Saturday, December 13th, 2008
In her only upstate New York appearance, Joan Baez will return to perform at the State Theatre in Ithaca on Friday, March 6th. Reserved seats are $45 and $35 (plus a $1.50 facility restoration fee), and are on sale this Friday at 10AM. A limited number of gold circle tickets will be available.  call the box office for more info at 607.277.8283.  Tickets can be purchased at the State Theatre box office, 105 West State Street in Ithaca, online at stateofithaca.com, or by calling 800.919.6272  For theater information or directions call (607) 277-8283.  This show is presented in partnership with Great Northeast Productions.
American folk singer, social activist, and goodwill ambassador, Joan Baez, whose career has spanned four decades, has become one of the foundations in the junction between traditional folk music and political activism. Baez immersed herself in the developing folk scene surrounding Cambridge’s fabled Club 47 in the late 1950’s and since then has become an icon and idol for upcoming singer-songwriters and social activists alike. She has earned seven gold records and continues to raise the bar on the standards of contemporary folk music and it’s near first-cousins, pop, country, and rock.
This fall marked the release of Baez’s latest album, Day After Tomorrow. Baez recorded the tracks in Nashville in December and February, working with producer Steve Earle and a band that includes bluegrass veterans Tim O’Brien and Darryl Scott, as well as Viktor Krauss and Kenny Malone. The album features three songs written by Steve Earle, including “God Is God,” a song Joan debuted during her recent tour. Joan has also recorded songs by Eliza Gilkyson, Patti Griffin, Elvis Costello, Tom Waits, Diana Jones and Thea Gilmore.
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Author: Dan_S
• Monday, November 10th, 2008

Three Girls and their Buddy - Emmylou Harris, Shawn Colvin, Patty Griffin and Buddy Miller

You read that correctly… the show of the year is here!  Just confirmed yesterday, the second annual ”Three Girls and their Buddy” tour will grace our fair city this February 9th at the State Theatre.  This is an astounding lineup of performers and we at Dan Smalls Presents couldn’t be happier that we have been selected as a presenter for a date on this year’s tour.  Tickets will go on sale Friday, November 21st at 10AM at the State Theatre Box Office, 105 West State Street in Ithaca, NY, online at stateofithaca.com, or by calling 800.919.6272.  There are three price levels: Gold Circle -$68.00 plus theatre restoration surcharge, $51.00 plus theatre restoration surcharge and $41.00 plus theatre restoration surcharge.  Fanclub tickets go an sale here a week earlier… sign up now!  For more information visit: dansmallspresents.com.

In the only upstate New York play (No Rochester, No Buffalo, No Syracuse, No Albany, No Binghamton, etc.), Emmylou Harris, Shawn Colvin, Patty Griffin and Buddy Miller will arrive in Ithaca for one-night of intimate music and storytelling akin to last year’s wall-to-wall sellout with Lyle Lovett and John Hiatt.  During last year’s innaugural run of the “Three Girls and their Buddy” Tour, the songwriters all shared the stage together and traded songs for several hours.  This is a once in a lifetime opportunity to see four of the greatest songwriters of our time share the stage together.

Each of these artists could fill the theatre on their own, but in the spirit of musical sharing and the fun they have together, they have chosen to play smaller theatres and present an extremely intimate offering.  In case you are unfamiliar… here’s some information about each of them:

EMMYLOU HARRIS

Twelve-time Grammy award winner Emmylou Harris has been hailed as a major figure in several of America’s most important musical movements of the past three decades. Harris’ contributions to country-rock, the bluegrass revival, folk music, and the Americana movement are widely lauded, and in recent years she also has carved out a sound that is uniquely her own. A steadfast supporter of roots music and a skilled interpreter of compelling songs, she also has been associated with a diverse array of admiring collaborators.  Her 1995 Wrecking Ball was a watershed album for her, combining several world-music elements with acoustic instruments, driving percussion, and a folk/roots flavor. The new style would evolve on a number of Harris’ subsequent releases, including 1998’s Spyboy, 1999’s Western Wall (a collaboration with Linda Ronstadt), and 2000’s Red Dirt Girl, which was praised as a showcase for Emmylou Harris’s songwriting talent.

SHAWN COLVIN

Shawn Colvin is one of the bright spots of the so-called “new folk movement” that began in the late ’80s. And though she grew out of the somewhat limited “woman with a guitar” school, she has managed to keep the form fresh with a diverse approach, avoiding the clichéd sentiments and all-too-often formulaic arrangements that have plagued the genre. In less than a decade of recording, Colvin has emerged as a songcraftsman with plenty of pop smarts, which has earned her a broad and loyal following.  In an era when female singer-songwriters have been ever-more ubiquitous, Shawn Colvin stands out as a singular and enduring talent. The three-time Grammy winner has released eight albums to date, including the platinum A Few Small Repairs which featured the hit song “Sunny Came Home.”

PATTY GRIFFIN

Patty Griffin’s new album Children Running Through (ATO) continues the remarkable creative evolution that’s quietly established Griffin as a vital and singular musical force. It also belies her persistent sensitive-singer-songwriter image—a limiting perception that fails to fully convey the emotional depth and breadth of her songwriting or the emotive power of her fluid, soulful singing. Folk and rock singer Patty Griffin burst onto the national music scene in 1996 with her stark, emotional acoustic CDLiving with Ghosts.  The album introduced a singer-songwriter of uncommon power. John Scheinman writing in the Fairfax Journal said, “Here’s this woman from Old Town, Maine … making the kind of record only Bob Dylan gets to make anymore…. [But] Griffin doesn’t need a band to fill the spaces because the songs come out of her gut with a conviction that’s more than enough.”

BUDDY MILLER

Behind the music is a modest man of extraordinarily broad skills. Emmylou Harris, in whose band Buddy served for 8 years, calls the 51-year old Ohio-born Nashville transplant “one of the best guitar players of all time.” Steve Earle, another former bandmate, pronounces him “the best country singer working today.” Records by artists ranging from Lucinda Williams to Trisha Yearwood have benefited from Buddy’s vocal and instrumental prowess. As for the taut, elegiac songs he composes, they could be mistaken for disinterred relics, resonant of a lost age when white and black music were casually consanguineous – could be, only cover versions by hitmakers like Lee Ann Womack, Brooks & Dunn, and the Dixie Chicks have proved their contemporary power, affirming Buddy as one of Music City’s most valuable writers. Then there is his superiority as a producer and engineer (Harris, Jimmie Dale Gilmore, Jim Lauderdale). And he has a nice sideline mastering records.  He just finished touring with Allison Krauss and Robert Plant.

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Author: Dan_S
• Tuesday, November 04th, 2008

It’s hard to believe its been almost 12 years since Canada’s Cowboy Junkies last visited Ithaca. Well the long wait is over as they return for one night only on Thursday, February 5th at the State Theatre. See also: dansmallspresents.com

Reserved seating tickets will be $28.00 plus theatre restoration fee. A limited number of gold circle seating will be available for $35.00 plus restoration. Tickets will go on sale Friday, November 7th at 10am at the State Theatre Box Office, 105 West State Street in Ithaca, online at stateofithaca.com or by calling 800.919.6272.

The Toronto quartet have made a career out of its soft-focus sound, initially emphasizing the drowsily pretty vocals of Margo Timmins, with brother Michael Timmins’ droning guitar leads gradually assuming a bigger role. They’ve maximized that rather limited approach by evincing exquisite taste, particularly on the covers-heavy early albums, and by playing off the tension between Margo’s lullaby voice and the frequently dire imagery of Michael’s lyrics. Their breakthrough came with “The Trinity Sessions,” recorded through only one microphone at the Trinity Church in Toronto. That was 20 years ago…

“To celebrate the 20th anniversary of The Trinity Session, we decided to head back to Toronto’s Trinity Church with the idea of revisiting the album from the perspective of twenty years’ experience,” reflects Cowboy Junkies guitarist and songwriter Michael Timmins. “We enlisted a few musicians for whom The Trinity Session had some personal and professional resonance, and whose individual work resonates with us.” Joined by Ryan Adams, Vic Chesnutt, Natalie Merchant, and longtime cohort Jeff Bird, Cowboy Junkies dedicated themselves to a fresh exploration of The Trinity Session’s songs - as spontaneous and open-ended as the original. “The idea was to cobble together a loose band sound with just a few hours of rehearsal, and a one day recording schedule,” Timmins continues, “much in the same way we created the original recording. We came, we played, and the church, once again, did the rest.”

In November of 1987, the young and road-worn Cowboy Junkies gathered there and, around one microphone in the course of a few quiet hours, recorded the epochal set of songs that were released one year later as The Trinity Session. The album not only put the nascent Junkies - composed then and now of siblings Michael, Margo, and Peter Timmins and bassist Alan Anton - on the musical map: it also ushered in a new approach to roots music. Imbued with a bewitching and ominous radiance, The Trinity Session was modest in its means, unpretentious and honest. Drawing from the elemental yearning that underpinned the band’s heroes (from Hank Williams to the Velvet Underground to Robert Johnson), the Junkies fashioned a direct, unmannered sound they then wrapped around Michael’s poetic originals and an insightful selection of outside material. The album has long been heralded as a touchstone for both the Junkies and for a new generation of musicians in the burgeoning alt-country and Americana genres.
Read the full bio here

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Author: Dan_S
• Tuesday, October 28th, 2008

Denied a record deal for years because she didn’t have the right look (”too heavy, too dark, too short”), Sharon Jones worked as a Riker’s Island prison guard, an armored truck guard for Wells Fargo, and countless other day jobs. Now at 52 years old, Jones is being heralded as the new “Queen of Soul.” Taking a cue from her idol, James Brown, with whom she shares a hometown, Jones is unabashedly funky, old-school, and full of soul. Jones lives in the projects in Queens with her mother when she’s not on the road with her band, The Dap-Kings. The Dap-Kings are best known for recording as the backing band on Amy Winehouse’s hit record “Back to Black.” Though that’s about all that Jones and the troubled diva have in common, Jones told the Houston Chronicle, “if it hadn’t been for Amy, you wouldn’t be interviewing me. But I don’t take no backseat to no one. Amy said I inspired her. That’s a good thing.”

So let her inspire you! Join us at the State Theatre on Saturday, November 1 for a night of vintage soul and retro funk. Sharon Jones and the Dap-Kings are on the verge of mega-stardom, wouldn’t you like to say that you saw her back when?

BEST SHOWMANSHIP — Sharon Jones, at Coachella, Bonnaroo, Lollapalooza, and Austin City Limits “The first time I saw the funky soul phenomenon was at Coachella in May, where I wrote that her show ”ranks among the best I’ve seen in my life. Actually, I could almost be convinced that her set is that good, every single time.” By ACL in September, I needed no further convincing. When she kicks off her heels to dance through her ancestry, it’s school, church, and sex all rolled into one.” — EW.COM

PS - Sharon will be signing records at Volume on the commons at 5PM!  Come meet her before she rocks you!

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• Saturday, October 25th, 2008

You can find these in the skinny column to the left (or maybe to the right if I rearrange the look again!). These are all mostly music related and all near Ithaca - except the Monadnonk which is from southern New Hampshire in the neighborhood where New England contra dancing and it’s musical traditions arrive to us from.

The following are in no particular order …

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Category: Music BLOGS  | Tags:  | One Comment
• Friday, October 24th, 2008

I am learning about making new web pages with Wordpress, so don’t be surprised by occasional changes in appearance of this BLOG and other similar places I maintain. The cool thing is ALL the content remains the same, it is just a superficial change really. Tell me what you think! -m :-)

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• Saturday, October 04th, 2008

Tickets will go on sale next Friday, 10/10 — In another fantastic new addition to the season lineup, North Carolina’s Squirrel Nut Zippers will appear on December 6th as part of the State Theatre’s 80th Anniversary Celebration.  Tickets will go on sale next Friday, 10/10 at 10AM at the usual outlets (State Theatre Box Office at 105 West State Street  Ithaca NY without service charge, online at www.stateofithaca.com or by calling 800.919.6272).

Squirrel Nut Zippers still rejoice at the difficulty people have pigeonholing their unmistakable sound. A perpetually evolving, hybrid-stew of Southern roots traditions, blues and jazz, the Zippers were aptly tagged “’30s punk” by one critic. They have always flirted with a muse most concerned with ghosts, love gone wrong, fever-dreams and stories unearthed from days past. Centered around the beguiling vocals of Katherine Whalen and the anachronistic windup toy that is Jimbo Mathus, the Zippers promise to both charm and confound.

There’s no better choice for the State’s 80th Birthday and a band that covers the broad spectrum of music that has occurred since the State first opened on December 6, 1928.  The day will be filled with other events; most notably the screening of one of the films shown on opeing night.  The evening program will feature clips from that film, a brief talk about the years in between opening and today, and the SNZ performance.  There is more to come so keep checking back.

A limited number of Gold Circle Seats will be available.  These gain you access to all the day’s events, an after party and meet and greet with the band, and more.  For information on these special tickets please call the State Box Office after October 8 at 607.277.8283.

Come enjoy a great band celebrating a great venue.  Enjoy it now because as the Zippers say, “In the afterlife, you could be headed for the serious strife.  Now you make the scene all day, but tomorrow there’ll be hell to pay.”

Article by Dan Smalls: Check out Dan’s MUSIC BLOG http://www.dansmallspresents.com/smallsworld/

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