Archive for the Category ◊ World Folk ◊

• Friday, May 10th, 2013

BROOKTONDALE NY - Cantrip is a trio of Scottish traditional musicians that has been stunning audiences on several sides of the Atlantic for over a decade with its driving blend of fiddle (Jon Bews), bagpipes (Dan Houghton) and guitar (Eric McDonald). Weaving together songs and tunes, both traditional and contemporary, Cantrip takes an audience on a cultural journey, weaving dense textures together and leaving listeners hungering for more. They will be at the Canaan Institute in Brooktondale NY on Thursday June 13th 2013. Concert starts at 7:00 pm and will be followed by a jam session $15- RSVP to reserve a seat mike@cinst.org

Jon Bews - vocals, fiddle
Dan Houghton - vocals, pipes & whistles, wooden flute, bouzouki, guitar
Eric McDonald - vocals, guitar, mandolin, bouzouki
Facebook Page https://www.facebook.com/cantripband

DIRECTIONS and other events at this venue http://canaaninstitute.org/mn/mus_jamcann.html

Facebook event for this concert

Cantrip is a trio of Scottish traditional musicians that has been stunning audiences on several sides of the Atlantic for over a decade with its driving blend of fiddle, bagpipes and guitar. The name is an Old Scots word meaning a charm, magic spell or piece of mischief and it aptly describes the unexpected twists and turns in their musical arrangements, likewise the compelling potency of their musicianship. From the strong base of its Celtic roots their music branches out into, and takes influences from, the music of other European cultures. Originally formed as a quartet in Edinburgh, eleven years of evolution has yielded an extensively diverse and still growing catalogue. Weaving together songs and tunes, both traditional and contemporary, Cantrip takes an audience on a cultural journey, putting their own spin on each style.

Since its inception Cantrip has performed at festivals, clubs, bars, weddings, funerals, stonings and various other events and venues in Breizh, the People’s Republic of Vermont, the Commonwealth of Pennsylvania, the State of Maine, the Territory of Tennessee, the Dominion of Virginia. the Dutchy of New York, the Principality of Massachusettes, The Kingdom of the Angle, Le Royaume des Francs, Poblacht na hÉireann and, of course, Alba bheadarach (Scotland). The band released its first album “Silver” on the Footstompin’ label in 2001. In 2005 the long awaited second album Boneshaker issued forth on the Mischief label, followed by “Piping the Fish” in 2008. After a period of hiatus in which some children were born and continents were left for other ones, Cantrip was joined by guitarist and mandolinist Eric McDonald, and is now in the process of preparing for their highly anticipated fourth album. Look for Cantrip wherever there is excitement, music, love and liquor.

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• Thursday, April 04th, 2013

Sat Apr 06    TRUMANSBURG NY - Casey Carr w/ O’Shanigans - Contra Dance 8-11 pm. Fundraiser for the Trumansburg Conservatory of Fine Arts! O’Shanigans: Tim Ball (fiddle), Phil Robinson (guitar), and Michael Ludgate (mandolin). Location: Trumansburg Conservatory of Fine Arts. Adults $10; children under 13 free. Contra dances have been held for hundreds of years in small town halls such as the Conservatory. Come help us revive this tradition in Trumansburg! Each dance is taught, and you can come without a partner. But please bring clean, soft-soled shoes to protect the lovely wooden floor! Sponsored by the board of the Trumansburg Conservatory of Fine Arts. Band www.oshanigans.org Venue http://tburgconservatory.org/

Fri Apr 05    COOPERSTOWN NY - Casey Mullaney w/ O’Shanigans - Contra Dance w/ Philip Robinson (guitar) and Mike Ludgate (mandolin) with Tim Ball on fiddle. The delightful Casey Mullaney (Hartwick ALUM) calling the dances in Cooperstown NY. Great little venue with a nice wooden floor. First Presbyterian Church, on the corner of Pioneer and Church Streets in Cooperstown NY. 8-11 pm., $8- www.oshanigans.org

Fri Feb 08 ITHACA NY - Katy Heine with Notes Inégales (notes in-a-gall): Andrea Katz (fiddle, viola) and Mike Ludgate (mandolin) - will be joined by Margaret Ball (fiddle) and Sophie Orzechowski (keyboard). Calling the dances is our fabulous Ithaca caller, Katy Heine http://www.notesinegales.org 8-11 pm 1825 Slaterville Rd Ithaca NY. Facebook event https://www.facebook.com/events/536339516400038/

Sat Feb 09 ROSE NY - Notes Inégales duo: Andrea Katz (fiddle, viola), Mike Ludgate (mandolin). Casey Carr Calling http://www.notesinegales.org EARLY dance 7:30-10:30 pm MAP http://goo.gl/maps/D0CVS Facebook event https://www.facebook.com/events/146838455471078/

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Sat Jan 12 BING NY - O’Shanigans Contra Dance w/ Michael Ludgate (mandolin, tenor banjo), Philip Robinson (guitar) and Tim Ball (fiddle) for the BING contra dance. http://www.oshanigans.org/ - Contra dance in Binghamton Saturday, January 12, 2012, EARLY DANCE 7.00 - 10.00 pm intro lesson 6:40 pm Music by O’Shanigans http://www.oshanigans.org/ Caller Casey Carr (from Ithaca) General admission $8 Students with ID and those under 18 $3 Family maximum $17 At Trinity Church, 44 Main Street, Binghamton (enter on Oak Street) http://www.binghamtondance.org/ MAP http://goo.gl/maps/D0CVS Facebook https://www.facebook.com/events/409580022451030/

Fri Jan 18 ITHACA NY - NO’Shanigans Contra Dance w/ Margaret Ball (fiddle), Sophie Orzechowski (fiddle & accordion), Tim Ball (guitar) and Michael Ludgate (mandolin). Bethel Grove Community Center 1825 Slaterville Rd., Ithaca NY. 8-11 pm TCCD. http://www.oshanigans.org/ MAP http://goo.gl/maps/D0CVS Facebook https://www.facebook.com/events/573713775976966

Sat Feb 09 ROSE NY - Notes Inégales duo: Andrea Katz (fiddle, viola), Mike Ludgate (mandolin). Casey Carr Calling www.notesinegales.org EARLY dance 7:30-10:30 pm MAP http://goo.gl/maps/D0CVS

MUSICIANS BIOS - http://www.oshanigans.org and http://www.notesinegales.org/

VENUE LOCATIONS - New Google Map of Central NY contra venues http://goo.gl/maps/D0CVS

From the dancers and callers about O’Shanigans and Notes Inegales –  “That was a delightful contra dance last night in Fayetteville … I truly enjoyed the many subtleties of your musical arrangements. And when Nils Fredland joined in on his trombone, it was polyphonic heaven … ” , “Ithaca’s best contra dance band”, “O’Shanigans rock(s)”, ” … such a fun group of people, and the band was awesome … ” , “What a great dance! Nils called some fun and interesting dances, the band was delightful! The place was packed…” , “you guys really GET the dance thing”, “wow …. WOW! That was inceredible!”, “you guys are so much fun to dance to!”, ”O’Shanigans is Ithaca’s hottest new contra dance band.”, “Tim Ball, Mike Ludgate, and Phil Robinson play with energy and style. It’s party time!” “I was happy to see and hear your band play, it was great! The music was the best I’ve heard at a contra for sure. It really got everyone grooving and elicited hooting and hollering … YEAH!” “The O’Shanigans rocked the hall tonight! You guys sure know how to throw a party!” “I was really glad to get to dance to your music- that was tons of fun!!” “Super dance on Friday! You guys were peppy, and there were some imaginative arrangements that made familiar tunes sound fresh. Hooray for the O’Shanigans!” “It was invigorating music, great company and fun caller!” “Do play for us again!” “It was fun dancing and even more so to the tunes of O’Shanigans!” “It was great!” “Mike, you and Phil and Tim were SOLID! I had a blast and my daughter had fun too! Thanks for playing, and thanks to Ray for the goodies!” “We’ve heard great stuff about you guys: We’d love to have you play at our dance!” “Wow! I have not seen that kind of energy at the Friday Dance in long time, you guys were great!” “That was they most amazing medley … was there something Middle Eastern in there?” “You guys were way out there like in Hungary or somewhere? … then you brought it back home with that old-time tune … the best version of that I have ever heard!” “The band was absolutely wonderful last night!”

More information About Contra Dancing:

http://www.greatmeadowmusic.com/music.html
http://en.wikipedia.org/wiki/Contra_dance
http://tedcrane.com/DanceDB/DisplayDance.com/US_NY_ITH_TCCD
http://hands4dancers.org/
http://www.syracusecountrydancers.org/
http://contra.binghamtondance.org/contra_calendar.htm
http://www.thedancegypsy.com/
http://www.youtube.com/watch?v=qTtEOaruqr4
http://www.npr.org/templates/story/story.php?storyId=128273050

NPR: Youth Flock To Contra Dancing — Contra dancing has been around since the 1700s. If you don’t know it — it’s kind of like square dancing but with long lines of dancers. The dance is having a renaissance around the country thanks to a thriving youth scene and incredibly lively acoustic music. Article by Marika Partridge on All Things Considered NPR July 2nd 2010 http://www.npr.org/templates/story/story.php?storyId=128273050

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• Friday, March 29th, 2013

ITHACA NY - Scotland’s Battlefield Band brings an inspired mix of ancient and modern traditional music and song to Ithaca on Friday, April 5. The group, founded in 1969 and named after the “Battlefield” area of Glasgow, will perform at the First Unitarian Church at 306 North Aurora Street. Tickets for the 8 p.m. all-ages concert are $20-$25. For more information, visit www.dansmallspresents.com or call 607-280-2900.

Performing under their banner “Forward with Scotland’s Past,” Battlefield Band remains at the forefront of the Scottish music scene after more than 40 years and was named Scottish Folk Band of the Year in the Scots Trad Music Awards 2011. “What the internationally renowned Irish band, the Chieftains, have done for traditional Irish music, Battlefield Band are doing for the music of Scotland,” according to Billboard.


An ever-evolving ensemble, over the years new members have brought with them new ideas, music, instruments, attitudes and influences leading to continued creativity, freshness and enthusiasm. The current lineup includes young multi-instrumentalist Ewen Henderson, guitarist-vocalist Sean O’Donnell, fiddle prodigy Alasdair White and bagpipe virtuoso Mike Katz. Battlefield Band’s new album, Room Enough for All, was released March 18. Here’s a link to a three-minute video featuring footage of the band performing at the Philadelphia Folk Festival in 2011: http://www.youtube.com/watch?v=Vn7vKDjOq1s.

Recently awarded ‘Scottish Folk Band of the Year’ and previously ‘Best Live Act’ at the Scots Trad Music Awards, Battlefield Band has been an ever-evolving bedrock of traditional music and talent for over forty years, and is rightly regarded as the great flagship of the Scottish traditional music scene.

Serious about the music, this band’s enjoyment in playing is obvious and infectious as they harness the great living traditions of Scotland & the Celtic nations to involve and entertain their audiences.

“A wondrous perfectly paced display by musicians firmly in command of their art… the band’s chemistry at this point is uncanny … the best Battlefield Band in years” – The Washington Post

More information on the band may be found online at www.battlefieldband.co.uk

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Author: Margaret
• Saturday, February 09th, 2013

TONY BIRD in Concert, Saturday, March 2, 8 pm

165 McGraw Hall, Cornell Arts Quad, Central Ave.

Tony Bird is unique: a truly original performer and song writer, “untamed; a wild-card creature of inordinate invention.” No one else sounds remotely like him. He is a white African musician and internationally acclaimed poet now living in the United States. Village Voice has dubbed him “the finest, most impressive folk poet in years.” His music and spirit are deeply rooted in southern Africa, the beauty of the Rift Valley, and the suffering of his continent. Tony Bird’s voice is haunting, powerful, eccentric, radiant, percussive. He playfully suggests that “it probably comes from trying to sound like John Lee Hooker and Hank Williams and failing at both.” From a quirky high tenor to a throaty growl, Tony Bird may break into falsetto or howling, bird calls or bushman clicks, to serve the song. He weaves stories rich in symbolism and gritty, carefully observed detail. His lyrics are intimate, clever, often angry, but frequently joyous. They reflect his complex relationship with his native land, from sweet pleasures (Mango Time) to the magic of wild Africa (Tssik…Listen to the Stars) to profound despair (Sorry Africa) and hope (Run).

Born in Malawi (Nyasaland), educated in Rhodesia and Britain, Tony Bird returned to Africa as a young adult to make a career in music. Unfortunately his politics, in the fight against apartheid, made him unwelcome to governmental authorities. After years traveling around the world, he made a home in New York City. Not simply a singer of protest songs, Tony Bird calls his music “African folk rock.” It fuses African pop, Southern rhythm and blues, and ethereal world music. His polyrhythmic but melodic guitar work is as ample as a full band. In addition to his earlier recordings for Columbia, his CD from Rounder also features Ladysmith Black Mambazo and Paul Simon’s Graceland band.

Tony Bird is unforgettable. He has performed in Ithaca only three times in the past 28 years, but each concert has erupted in a standing ovation. The Cornell Folk Song Society is pleased to help him be heard once again.

Tickets are available at Ithaca Guitar Works, GreenStar Market, Autumn Leaves Books, online at http://www.cornellfolksong.org/, or at the door. $15 adv/$17 door; $3 rebate for members, seniors, teens; children 12 & under free. Students $10/$12.

For concert information, call (607) 351-1845. For information about the performer, see http://www.mangotime.net/

– Margaret Shepard

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• Thursday, February 07th, 2013

ITHACA NY - Sunday, February 24 at 4pm at the Unitarian Church in Ithaca Winter Village is very excited to bring the Kruger Brothers to Ithaca for the first time later this month. Cornerstone was fortunate to play with them at the Riverhawk Festival in Florida in 2004ish, and at that time I was impressed my their incredible instrumental ability.  Jens is an amazing banjoist, second to none, and Uwe a top-notch flatpicking guitartist.  In listening to their recorded music, I am struck by their rare combination of technical proficiency, respect for the traditional mountain music of their adopted home in the Carolinas, and their heartfelt original songs.  In concert, they blend their beautiful original instrumentals, folk-tinged original songs, with some bluegrass chestnuts.  And they are not above playing popular, flashy, and fun bluegrass instrumentals like Dueling Banjos or Orange Blossom Special.  Please join us for what should be a great show.

“Jens Kruger is a wonderful banjoist who is one of the most creative and giving and positive musicians I’ve ever met. The Krugers put on a great show and you shouldn’t miss it.” Tony Trischka

Concert at 4pm at the Unitarian Church in Ithaca - 2 sets
Tickets cost $18 in advance (additional Ticket Center fees may apply) and are available exclusively at The Ticket Center on the Ithaca Commons. You can reach Ticket Center Ithaca at 607-273-4497. Tickets can also be purchased online through www.IthacaEvents.com.  Tickets will likely be available at the door for $25. Note that The Krugers travel with their own sound man so the sound should be great in the Unitarian Sanctuary.

Jens Kruger Banjo Workshop at 6pm
Jens Kruger will teach a banjo workshop after the show for 90 minutes.  Cost will be $60 per student with a minimum of 5 students required (all fees to Jens).  Email Rick to register in advance.  Pay Jens directly at the workshop.

About the Kruger Brothers
Born and raised in Europe, brothers Jens and Uwe Kruger were performing regularly by the time they were 11 and 12 years old, and they began their professional career in 1979. Since a formal introduction to American audiences in 1997, their remarkable facility with their instruments and unique take on the American Songbook have made the Kruger Brothers a fixture within the world of acoustic music. Although initially staying fairly close to a traditional repertoire, the group later turned to song writing and composition in order to draw more closely from their personal experiences. The result is a catalog of songs distinguished by rich detail and an insight into the delicacy and complexity of everyday life. The honesty of their writing has since become a hallmark of the trio’s work. The Kruger Brothers personify the spirit of exploration and innovation that forms the core of the American musical tradition. Their original music, composed by Jens Kruger, is crafted around their discerning taste, and the result is unpretentious, cultivated, and delightfully fresh.

The Kruger Brothers were awarded a National Endowment for the Arts grant for Music from the Spring a sym­phonic suite composed and orchestrated by Jens Kruger, which premiered in 2007.  In late 2010, the Kruger Brothers premiered the Appalachian Concerto, a concerto for banjo, bass, guitar, and string quartet. In addition to their regular concert schedule they perform these pieces regularly with select symphony orchestras and string quartets throughout the country. Through their numerous CD releases, radio and television performances, lectures, and collaborative efforts, the Kruger Brothers powerful artistic state­ment inspires and enlightens.

What Colleagues Say About the Kruger Brothers

The Krugers are nothing short of magnificent. Bluegrass Journal

“I used to think the banjo was somewhat limited to certain styles, until I heard Jens Kruger. Jens has played some of the most beautiful and expressive banjo I’ve ever heard.“ Ron Block of Alison Krauss and Union Station

“The Kruger Brothers are just about as fine a band as I’ve ever played with … I love to play music with them.” Doc Watson

“It’s a blast playing with them … not only are they all superior musicians, they are the nicest guys you’d ever want to meet.” Adam Steffey

“They are some awesome musicians.” Bobby Hicks

“Jens Kruger has established himself as one of the world’s most musically sophisticated and technically accomplished five-string banjo players.” Happy Traum

Videos on You Tube with Viewer Comments

Jack of the Wood
“Is this what love sounds like?”
“Jens plays and his soul pours out along with the amazing technical performance.”

Forever and a Day
“Lost my mother a few months ago and this song speaks so directly to my heart and the loss I feel. You folks are so evocative in your playing. Thanks so much for putting music to my feelings. I am a life long banjo player and , Jens , your banjo playing is so tonal and nuanced…You are just so refreshing to hear. Excellent, Beautiful, Thanks”
“Absolutely beautiful. I like the northern, ice-flow imagery with the southern pickin’.”
“The Kruger Brothers are AMAZING. Tight, highly skilled musicianship and ensemble PLUS real humanity. I can listen to them for hours.”
“A man could live a lifetime and not experience something that amazing. This song will be played in my home for ever more. Thanks for the music.”

Behind the Barn
These kats are really amazing, world class for sure. I was fortunate to do a session which Jens was also playing on a year or so back , incredibly gracious and talented man, I am in awe of his talent ! A one take genious ! I did get a chance to see them at Merle Fest last year, great set.

Jens Kruger Playing Bach Cello Suite No 1 on Banjo
Bach’s genius created music that can work on many instruments, and Mr. Kruger’s genius brought that music to life. Bravo!

Waterfall Waterfall at Grey Fox Workshop Tent
Todd Taylor is in the Guiness Book of Records as the fastest banjo, playing dueling banjos at 210 bpm. I don’t have a drum machine, but I just listened to it before listening to this of Jens play Waterfall, and I’m pretty sure this is faster, at least 20 bpm! Jens, you should be in Guinness!

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• Wednesday, November 28th, 2012

The Cornell Middle Eastern and Mediterranean Music Ensemble under the direction of Harold Hagopian presents their Fall Concert on Sunday December 2nd 2012 at 3:00 pm in Barnes Hall on the Cornell University Campus in Ithaca NY. Admission: FREE and open to the general public. Sponsored by the Cornell Institute for European Studies, Mediterranean Initiative, Near Eastern Studies and the Music Department. CMEMME website http://www.arts.cornell.edu/cmeme/ Facebook Event https://www.facebook.com/events/451753161527785/

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• Friday, October 26th, 2012

BROOKTONDALE NY - Come on out to The Canaan Institute on Wednesday November 14th at 7:00 pm for a house concert followed by a jam session. Experience the blend of Celtic and American roots music delivered impeccably by Annalivia - a cutting edge acoustic string-band from Boston. Donation for the band $15- Limited seating at this private venue: RESERVATIONS & RSVP: please email Mike Ludgate to reserve your seats and for directions mike@cinst.org .

Facebook event https://www.facebook.com/events/297520353687228/
Directions to the concert http://canaaninstitute.org/mn/mus_jamcann.html
Band website http://www.annaliviamusic.com
Full Press Release http://canaaninstitute.org/mikesmusic/viewtopic.php?p=5148#5148

Annalivia is touring in support of their new album “The Same Way Down” produced by Jake Armerding and featuring special guests Corey DiMario and Aoife O’Donovan (of Crooked Still). There’s a bit of a buzz with this new album – it was #7 on the national roots music charts last week!

Annalivia fuses old and new world sounds to create an authentic new sound, both steeped in tradition and alive with new energy, innovation and originality. Annalivia– who will be appearing in a trio format with Liz Simmons, Flynn Cohen, and Mariel Vandersteel– are virtuosic on their instruments and have long histories with traditional music, ranging from bluegrass to Irish, Scottish, Norwegian and Old Time. These styles play a large role in the interpretations of their material, which include inventive, quirky fiddle tunes and lushly arranged songs performed on fiddle, guitars, mandolin and vocals. The members of Annalivia write music as well– songs and tunes that sit comfortably alongside the traditional material. They are all seasoned musicians and have toured and performed with such notable acts as Halali, Cathie Ryan, Aoife Clancy, John Whelan, Ruth Moody, Adrienne Young, and Blue Moose and the Unbuttoned Zippers.

Liz Simmons, a New Hampshire native, conceived of the band four years ago with Flynn Cohen, who was residing in Boston at the time, and later they invited Emerald Rae of Gloucester, MA and Mariel Vandersteel, originally of California, to join the band. Currently, Simmons and Cohen reside in Gloucester as well. Cohen spends his time teaching in the music department at Keene State College, and touring with John Whelan and The Deadstring Ensemble. Simmons tours with John Whelan and all-female Celtic quartet Long Time Courting, and her singing will be featured in the soon-to-be-released film ‘Time and Charges’, written and directed by Grammy and Emmy award winner and NH resident Ernest Thompson. Mariel Vandersteel travels the globe with Laura Cortese’s acoustic project and Blue Moose and the Unbuttoned Zippers, and recently released her first solo album.

When audiences join Annalivia on Wednesday November 14th, they can expect high energy material alongside slower, winsome ballads and songs. This tour is in support of their third CD “The Same Way Down”, produced by Jake Armerding, and featuring the guest talents of Aoife O’Donovan and Corey DiMario of Crooked Still. Come see what Annalivia is all about and pick up a copy of their new CD while you’re at it! For more information and to hear their sound please go to www.annaliviamusic.com

Facebook event https://www.facebook.com/events/297520353687228/
Directions to the concert http://canaaninstitute.org/mn/mus_jamcann.html
Band website http://www.annaliviamusic.com
Full Press Release http://canaaninstitute.org/mikesmusic/viewtopic.php?p=5148#5148

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• Friday, September 14th, 2012

BROOKTONDALE NY - Raz de Marée, or Tidal Wave will bring their high energy and passion for traditional music and entertaining to the Canaan Institute in Brooktondale NY on Wednesday September 26th 2012 beginning at 7:00 pm for a house concert followed by a jam session. Donation for the band $20- Limited seating at this private venue: RESERVATIONS & RSVP: please email Mike Ludgate to reserve your seats and for directions mike@cinst.org .

Facebook event https://www.facebook.com/events/376210869118015/
Directions to the concert http://canaaninstitute.org/mn/mus_jamcann.html
Band website http://www.tidalwavemusic.com/index_eng.html

Raz de Marée - Tidal Wave - The Band

Raz de Marée (aka Tidal Wave) is a unique traditional music ensemble on the Quebecois folk music scene. Composed of very accomplished musicians, recognized by their peers as the very best, the ensemble has evolved since 2004 primarily as a dance band, infusing them with the original essence of traditional instrumental music: to make people dance. The members of this band come from Quebec (Sabin Jacques on accordion and violin Eric Favreau), Acadie (Rachel Aucoin on piano and vocals) and New England (Stuart Kenney on bass and banjo). Together, they share a passion for traditional music and dance. They reveal their deeply rooted musical roots, authentic and heartfelt. Relying primarily on a traditional repertoire, their music is contagiously energetic and sensitive. They propel dancers and audiences into a world of liveliness. Their latest CD, MARCHE DU ST-LAURENT, nominated for best instrumental album at the 2011 Canadian Folk Music Awards, features inspired melodies, both bound to be danced to and listened to with pure enjoyment. Served by flawless execution and backed by a deliciously imaginative accompaniment, the album shows maturity and a rare blend of excellent musicianship.

The musicians of Tidal Wave: SEE BELOW

Rachel Aucoin

After a frankly classical training including two Masters degrees (performance - UM 2001 and piano pedagogy - UL, 2003), two first prizes at the Canadian Music Competition (1997 and 1998) and a solo performance of Beethoven’s second with the Orchestre Symphonique de la Montérégie (1997), Rachel Aucoin specialises today in folk music accompaniment, since her first appearance at the Carrefour Mondial de l’Accordéon in 1999.

Her first years with power-trio Domino gave her a solid experience as a dance back-up musician. Followed collaborations with recording artists such as Laura Risk, Michèle Choinière, Claude Méthé, Francine Desjardins, Réjean Simard, Jean Duval and Frank Sears. Most recently, we heard her creative colors on both Tidal Wave / Raz-de-marée’s projets : self-titled (2007) and Marche du St-Laurent (2010). Evolving as a piano teacher since 1993, Rachel meets her greatest interest and passion through pedagogy. Now living in Beaumont, near Quebec city, Rachel directs the Maréemusique project, which includes a learning program. www.mareemusique.org

Sabin Jacques

Since Sabin Jacques began playing the accordion at age 14, his reputation grew non-stop: his multiple and diverse musical engagements made him a versatile and accomplished artist. Deeply influenced by such musicians as Simard, Bruneau, Labbé, Messervier and Montmarquette, he sought his originality in his unusual technique which gives him, as a left-handed player, a recognizable signature.

Originally from the beautiful Gaspé peninsula, Sabin lived in Montreal between 1992-2009. This cosmopolite musical community allowed him to make significant acquaintances with musicians in the popular and commercial music domain. His work with Acadian icon signer Edith Butler remains the most prolific, between 1993 and 2001. He was also heard alongside celebrated Hugues Aufray, Jean-Pierre Ferland, and Gregory Charles. Eventually, Sabin’s multiple collaborations offered him opportunities to travel worldwide. Italy, Bulgaria, Poland, France, England, Spain and Madagascar, winning the bronze at Les jeux de la Francophonie (1997).

Sabin remains profoundly attached to his traditional roots and regularly takes part in pedagogical projects, teatching at camps such as the Leahy – Natalie MacMaster camp (ONT) and Ashokan (NY), to name a few. Since distance is not an obstacle for learning, Sabin teaches accordion at home through internet or weekly at the Maréemusique School of Traditional Music. His teaching is said to be uplifting and always inspiring. His most recent recordings (2007 and 2010) present traditional tunes from Quebec played through remarquable arrangements, with his fellow musicians from band Tidal Wave / Raz-de-marée, putting a highlight on his stunning technique and musicianship while confirming his status as one of Quebec’s leading master accordionists.

Stuart Kenney

One of the most in demand upright bass, and five-string banjo players on the US contradance circuit, Stuart Kenney’s regional musical interests sweep from Southwest Louisiana to Acadia. Stuart began playing 5-string banjo at age 12, and upright bass at age 18.

He has a long career in many traditional music genres. Stuart cut his Cajun teeth with the legendary, late Dewey Balfa, and played with him for many of his northeast appearances. His interest in Quebecois music formed through the fiddling of Lisa Ornstein, and performances by La Bottine Souriante. The inclusion of French Canadian music into the living tradition of New England contradance music caught his attention early on. In 1999, Stuart’s path crossed with Sabin Jacques and Rachel Aucoin at Augusta Heritage Traditional Dance and Music week. At that point, Stuart invited them to play for contradances in Greenfield, MA and they’ve been playing together ever since. A tight musical bond was formed. Later, these three formed this group, Tidal Wave.

Stuart is a founding member of many great bands including AIRDANCE, Greenfield Dance Band, The Sevens, Tidal Wave, and Undertoe. He spent 14 years touring with the legendary contradance band Wild Asparagus. He has played on National Public Radio’ All Things Considered (The Sevens), and NPR’s A Prairie Home Companion (Airdance). Stuart has appeared at American Folk Festival, ME (National Council for Tradiational Arts), Ashokan (NY) Fiddle and Dance workshops with Jay Unger and Molly Mason, Augusta (WV), Alaska Traditional Folk Dance Society, City Stages (AL), Falcon Ridge Folk Festival (NY), Fiddle Tunes (WA), Hawaii and St. Croix Dance Vacations, Philadelphia Folk Festival (PA), Sidmouth Folk Festival (UK), and countless others. Stuart is a much-in-demand studio musician as well with over fifty recordings to his credit.

Stuart’s most recent project, Undertoe, is a musical collaboration with accordionist Karen Tweed (Yorkshire, England), John Dipper (London), and Marko Packard (US). He has composed many original pieces of music featured in their first recording Walking Down Angell Road. Although Stuart’s music has brought him coast to coast and beyond, his musical home is at the Guiding Star Grange in Greenfield, MA, where he plays for and hosts the TopHill Music and Dance Series.

Éric Favreau

Éric Favreau comes from a family of traditional musicians and has spent a great deal of time playing with other fiddlers, learning their repertoire and studying their varied styles. Éric has explored and exploited various sources including archives and personally made field recordings and has accumulated a rich and fascinating repertoire. Over the years, he has garnered a profound understanding and vast knowledge of Québécois traditional music.

As an individual, and in various groups including Entourloupe, Éric has vast experience in the Canadian, United State and European music scenes. Éric has recorded two solo albums, two with his current group Entourloupe, and has appeared on at least a dozen others. He is a consumate entertainer/educator in Introduction to traditional music workshop in the public school system in program under the auspices of the Minister of Education. He also teaches traditional fiddle, and the history of traditional music at the Cégèp(Junior college music) in Joliette, Québec.

Éric’s playing is marked by delicacy, nuance and liveliness that will leave no foot untapped!

FULL STORY news article http://canaaninstitute.org/mikesmusic/viewtopic.php?p=4968#4968
Facebook event https://www.facebook.com/events/376210869118015/
DIRECTIONS to the concert http://canaaninstitute.org/mn/mus_jamcann.html
Band website http://www.tidalwavemusic.com/index_eng.html

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• Monday, July 30th, 2012

BROOKTONDALE NY - Wed Aug 15th 2012 at 7:00 pm for a House Concert followed by a music jam at The Canaan Institute (Mike and Raylene’s workshop). Donation for the band $15- RSVP: please email Mike Ludgate to reserve your seats and for directions mike@cinst.org

Facebook event https://www.facebook.com/events/245479725564641

More events at Canaan Institute: Concerts, Workshops, Jams http://canaaninstitute.org/mn/mus_jamcann.html

Sandra Wong and Ross Martin come together in a dynamic combination of nyckelharpa/fiddle, and guitar to explore music from all corners of the globe, including their own compositions. Sandra and Ross have been playing music together for 8 years and are now taking their duo on the road.

Reaching into their individual roots of Classical, Bluegrass, Jazz, Scandinavian, Middle-eastern, Old-time American music and more, their arrangements honor each tradition while moving into new, uncharted territory. Whether it’s old-time tunes in 7, Bach on nyckelharpa and guitar, Swedish tunes from hundreds of years ago brought into a 21st century arrangement, original compositions or simply beautifully played renditions of traditional folk melodies from around the world; Sandra and Ross create a musical playground for everyone (both musicians and listeners) to explore, play, stretch, and grow in a joyful space.

About the musicians …

Sandra Wong started her life journey in upstate New York, displaying a deep love of music at a very early age. She began studying the violin at age seven with the intention of becoming a concert violinist. This remained her sole focus for fifteen years until she discovered fiddling.and her musical world was turned upside down!

Since then, Sandra’s focus with her music has shifted from being an isolated striving for technical perfection to a focus on connecting other people and cultures through music as a way to build community and express our common humanity. Opening this door with an exploration of Irish, Old-time and Bluegrass music, her folk music journey has moved her in to her current livelihood of teaching, performing, recording and collaborating with other musicians from a diverse range of world music genres. In 1999, Sandra opened another door when she discovered a 14th century Swedish folk instrument called the nyckelharpa and fell in love. This is a 16 stringed, keyed instrument played with a bow. It had become an integral part of her work and musical expression. Sandra has toured nationally and internationally as a solo artist and in collaboration with various musicians. She has appeared at numerous festivals and concert series. Her current projects include The Sandra Wong, Dominick Leslie, Ty Burhoe Trio” as well as work as a solo artist and freelance musician collaborating with musicians in all musical genres. She has released two solo albums; “It’s About Time” in 1999, and “Joy” in 2000. She recently released two collaborative albums; “Frolic and Romp” in 2009 and “Sunny Side Up” in 2010. Sandra has recorded on a number of her contemporaries projects. This discography is available on request.

Another important aspect of Sandra’s work is education and nurturing a deep love of music and the arts in both children and adults. She teaches privately, and in group and workshop settings, and presents family and children’s concerts. Sandra also creates and personally facilitates musical study trips to different countries leading people into the heart of each country As an active member of 1% For the Planet, a percentage of all Sandra’s CD sales and proceed from concerts supports responsible projects working to create susatainability on our Planet Earth. In addition, Sandra also supports numerous other charitable organizations.

www.sandrawongmusic.com
www.myspace.com/sandrawongmusic www.facebook.com/sandrawongmusic

Guitarist Ross Martin has performed in concert halls, honky-tonks, theaters, rock clubs, living rooms, on festival stages, television programs and everywhere in between. Having grown up in the suburbs of Dallas, TX, with brief stints in East Tennessee, Ross headed West after attending the University of North Texas and earning a Bachelor of Music degree in jazz studies. After living for ten years in the front range area of Colorado, he relocated to the east coast and has resided in the New York City borough of Brooklyn for the past five years. His musical path has covered as much territory as his physical one. Reflecting his love of diverse genres like jazz, bluegrass, country, folk, experimental and classical music, Ross has always felt at home with fellow musicians who seek to reconcile, through their music, the incredible wealth of styles available to listeners in this global and digital age. He has toured and performed with a wide range of artists including Matt Flinner, Tony Furtado, Ron Miles, Mollie O’Brien, The Motet, Caroline Herring, Dwele, Sonya Kitchell and many others.

Along with bassist Eric Thorin, Ross has been a member of the Matt Flinner Trio for the past six years. Known in acoustic circles for his groundbreaking mandolin work, Matt, a composition major in college, developed a unique concept for the trio. His idea was for all three band members to write a tune each day while on tour and perform it that evening. After several tours, the trio picked twelve of their favorite tunes and recorded them. The result is “Music du Jour” which was released on Compass Records in April of 2009. Many more compositions have been written since and the trio is scheduled to record its second release in September of 2011.

Under his own name, Ross has one recording, “Volley” that’s available for purchase on his site and another project in the works. The new recording is produced by Matt and features Darol Anger on fiddle, Ron Miles on trumpet, Greg Garrison on bass, Dominic Lalli on sax, Matt on mandolin, Ross on electric guitar and Marc Dalio on drums. You can listen to two tracks from this project on the music page. Ross is currently performing and teaching in the New York City area as well as touring nationally and internationally with various projects. For information on upcoming projects, sign up for the email list and visit the tour page.

www.rossmartinguitar.com

Sound tracks and videos

https://www.dropbox.com/s/8xhpfpgc52zjgym/01%20Squirrel%20Hunters.m4a
https://www.dropbox.com/s/ai69mrr8suufvde/03%20Icarus.m4a
https://www.dropbox.com/s/bus2okwlj2o89l3/02%20Santa%20Fe%20Slangpolska%20-%20Polonaisse.m4a
https://www.dropbox.com/s/dg4e9po50ctuy96/08%20Balkanpolska.m4a
http://www.youtube.com/watch?v=O_r-WzaXI30
http://www.youtube.com/watch?v=MlPgkxIZrNM
http://www.youtube.com/watch?v=ZVchR-cGv80
http://flink.livedownloads.com/show.asp?show=6733#

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• Tuesday, March 27th, 2012

HUNTINGDON PA  — Musicians of all ages, instruments and skill levels are invited to attend Folk College 2012, where they’ll have the opportunity to learn from locally and nationally-known folk musicians in a fun and friendly environment.

The event will be held May 25-27 at Juniata College in Huntingdon PA (near State College and Penn State) and will feature workshops, concerts, jam sessions and more, culminating in a student concert where participants can show off the skills they learned throughout the weekend. Workshops range from beginner to advanced and cover genres including blues, old time and world music.

The Folk College 2012 musical staff include:

  • Atwater-Donnelly: Atwater-Donnelly performs a unique and thrilling blend of traditional American and Celtic folk music and dance, along with original songs and poetry. The highly praised husband-wife duo blends gorgeous vocals with an astonishing array of instruments including the mountain dulcimer, old-time banjo, tin whistle, guitar, limberjack, mandolin, harmonica, feet and more.
  • Four Shillings Short: Four Shillings Short is part of the creative fusion that is happening in World Music today.  Blending Celtic, East Indian and American Folk music with Medieval, Renaissance and original compositions, the international duo have carved out a musical identity all their own.
  • Simple Gifts: Three women plus twelve instruments equals one good time when Simple Gifts takes the stage. Drawing on an impressive variety of ethnic folk styles, th award-winning trio of Linda LIttleton, Karen Hirschon and Rachel Hall play everything from lively Irish jigs and down-home American reels to hard-driving Klezmer frailachs and haunting Gypsy melodies, spicing the mix with the distinctive rhythms of Balkan dance music, the lush sounds of Scandinavian twin fiddling, and original compositions written in a traditional style.
  • The Horse Flies: A longtime favorite of critics and fans, The Horse Flies blend Americana roots with indie rock, ethnic percussion, creative songwriting, and a fierce, percolating groove. With a love of both the traditional and the modern, The Flies have consistently explored the intersection of the two to create a musical world all their own.
  • The Twilite Broadcasters: The Twilite Broadcasters are the missing link between vintage country, old time, early bluegrass and rockabilly. Based in Asheville, North Carolina, the band creates traditional American music directly inspired by the likes of the Louvin Brothers and Bill Monroe.
  • Tomás Lozano and Polly Ferber: Barcelona born Tomás Lozano’s music incarnates his mix of cultural roots; a history of conquest and resistance masterfully expressed through his smooth voice, the vibrant fingerwork on his guitar and the soothing droning of his hurdy-gurdy. He will be joined by Polly Ferber, a percussionist, music educator, performer, and recording artist who specializes in hand percussion from the Middle East, the Balkans, Spanish Andalusia, and North Africa.

The weekend will also feature teacher training for the Mark O’Connor method of fiddle playing. This intensive workshop is designed for music teachers interested in learning O’Connor’s unique method of fiddle instruction.

Folk College is hosted by Simple Gifts nd sponsored by the Huntingdon County PA Arts Council. Those who register before April 1 can take advantage of a $200 “early bird” pricing; the cost is $235 after April 1. Meals and lodging in Juniata College residence halls are also available for additional fees.

Folk College 2012 will be held May 25-27 at Juniata College in Huntingdon PA. For more information, visit folkcollege.com or contact the Huntingdon County Arts Council at 814-643-6220.

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• Friday, February 24th, 2012

ITHACA NY - My Sweet Canary (A film by Roy Sher) She was the most famous singer of the ‘30s in Greece and Turkey,the Diva of Rebetiko — 7:30 - 9:30 pm B20 Lincoln Hall Near Eastern Studies Department of Music March 5, 2012 The film will be introduced by the movie’s producer and director, Roy Sher, and accompanied by a live performance of the songs of Roza Eskenazi by the Cornell Middle Eastern and Mediterranean Music Ensemble.

“My Sweet Canary” Movie Screening 03/05/2012 - 7:30pm - 9:30pm The Mediterranean Studies Initiative of CIES announces the movie screening of, ‘My Sweet Canary on Monday, March 5th at 7:30 pm in B20 Lincoln Hall, Cornell Campus, Ithaca NY.  Introduced by the movie’s producer and director, Roy Sher, the movie will be accompanied by a live performance of the songs of Roza Eskenazi by the Cornell Middle Easter Ensemble. Tickets are free and given on a ‘first come, first serve’ basis.

Synopsis / My Sweet Canary (A film by Roy Sher)She was the most famous singer of the ‘30s in Greece and Turkey,the Diva of Rebetiko. With her posters displayed in every gramophone store, her Bohemian looks would drive even the toughest men crazy. (From the short story Roza, by Dinos Christianopoulos)My Sweet Canary is an exuberant musical and cinematic journey across Greece, and Turkey in search of Roza Eskenazi, an artist whose music shaped the soundtrack of the region for almost a century. Three artists still devoted to her legacy will retrace her steps and perform her songs, as they delve into why Roza’s music is still so relevant to them today.

Tomer Katz is an Israeli oud and bouzouki player. Martha D Lewis isa British-born Greek-Cypriot singer and composer. Mehtap Demir isa Turkish singer and musician. Together they will guide us through Roza’s life story, which spanned most of the twentieth century.Her saga will be reflected in their own musical journey through out the thriving rebetiko music scenes in Turkey and Greece. In each country they will meet with local musicians and give new relevanceto Roza’s songs, which can still be heard in the clubs and on the dance floors of Athens, Istanbul, Thessaloniki, and around the world. After all, this is music that transcends time, just as it transcends boundaries.

Along the way, we will uncover the story of a Sephardic Jew who was born in Istanbul, but went on to conquer Thessaloniki and Athens by the late 1920s. She was the first true star of rebetiko,and certainly the first and most frequently recorded. She leaves us a legacy of over 500 tracks, in Greek, Turkish, Armenian and Ladino. Her tragic story will be told by friends and family, by the musicians who accompanied her, and for the first time on camera, the biographer who wrote the only portrait of this artist, as a young woman and as a star.

Rebetiko, or “Greek Blues” as it is sometimes called, is amusical genre that lies at the crossroads of East and West, anapt reflection of the region in which it was born. It first emergedin the hash dens and prisons of Greece in the early years of the twentieth century, and went on to give voice to the common folk,caught up in the whirlwind of social and political changes that marked the era.

By telling the story of Roza Eskenazi, we will introduce the audience to a world that may have vanished but will not be silenced. By joining the three musicians in their quest for Roza’s legacy, we will share in a bond that can only be possible through the medium of Roza’s timeless music.

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• Friday, November 25th, 2011

MORRISVILLE NY - O’Shanigans contra dance band will be playing high energy fiddle tunes with Tim Ball on fiddle, Phil Robinson on guitar and Mike Ludgate on mandolin at Madison Hall in Morrisville for the Syracuse Contra Dance on Saturday December 3rd 2011. The fantastic caller, David Smukler will teach the dances. Madison Hall is on the National Register of Historic Places. A symbol of the town of Eaton and village of Morrisville the building sits in the center of Morrisville, NY 13408 on Historic US Route 20. Madison Hall was constructed in 1865 and was once the county center for Madison County in New York State. See  the links below for dance location and sponoring dance group. See http://www.oshanigans.org/ for more about the band! December 3rd 8-11 pm $7-

Sponsored by Syracuse Country Dancers! Admission $7- Don’t miss this dance! This is an authentic (registered historic site built in 1865) old ballroom style venue with a newly refinished dance floor! Bring clean shoes, a water bottle and YOUR FRIENDS! All dances taught, No partner needed.

DIRECTIONS to this DANCE — Historic Madison Hall is 4/10 mile east of the traffic light on Rte. 20 in Morrisville, NY, about 10 miles east of Cazenovia. Madison Hall is on the south side of Rte 20. Parking is available across the street on the north side of Rt 20.

PARKING — TONS OF EASY PARKING right across the street! Parking is available across the street on the north side of Rte 20. http://www.syracusecountrydancers.org/Directions.html#madison

BAND on WEB http://www.oshanigans.org/
BAND on FACEBOOK http://www.facebook.com/oshanigans (please click “like”)
VENUE WEBSITE http://www.syracusecountrydancers.org/index.html
EVENT POSTER http://canaaninstitute.org/docs/Oshanigans_current_poster.pdf
FACEBOOK EVENT https://www.facebook.com/events/304382226252350

GOOGLE MAPS DIRECTIONS to this DANCE — http://maps.google.com/maps?q=Madison+Hall+Morrisville+NY&ll=42.898462,-75.641406&spn=0.009321,0.01929&oe=utf-8&client=firefox-a&fb=1&gl=us&hq=Madison+Hall&hnear=0×89d97e3dfcce6591:0xbd7e214b46903be3,Morrisville,+NY&cid=0,0,973169564827262547&t=m&z=16&vpsrc=0

DIRECTIONS http://www.syracusecountrydancers.org/Directions.html#madison

PARKING — TONS OF EASY PARKING right across the street! Parking is available across the street on the north side of Rte 20. http://www.syracusecountrydancers.org/Directions.html#madison

FROM THE DANCERS AND MUSICIANS about O’Shanigans — “The O’Shanigans rocked the hall tonight! You guys sure know how to throw a party!” “I was really glad to get to dance to your music- that was tons of fun!!” “Super dance on Friday! You guys were peppy, and there were some imaginative arrangements that made even old, familiar tunes sound fresh. Hooray for the O’Shanigans!” “It was invigorating music, great company and fun caller!” “Do play for us again!” “It was fun dancing and even more so to the tunes of O’Shanigans!” “It was great!” “Mike, you and Phil and Tim were SOLID! I had a blast and my daughter had fun too! Thanks for playing, and thanks Ray for the goodies!” “We’ve heard great stuff about you guys: We’d love to have you play at our dance!” “Wow! I have not seen that kind of energy at the Friday Dance in long time, you guys were great!” “That was the most amazing medley … was there something Middle Eastern in there?” “You guys were way out there like in Hungary or somewhere? … then you brought it back home with that old-time tune … the best version of that I have ever heard!” “The band was absolutely wonderful last night!”

HISTORY OF MADISON HALL — Madison Hall was listed on the National Register of Historic Places in 1978. A symbol of the town of Eaton and village of Morrisville the building sits in the center of Morrisville, NY 13408 on Historic US Route 20. Madison Hall was constructed in 1865 and was once the county center for Madison County in New York State. The current building is the last of three courthouses built on the same site. The original courthouse built in 1817 was a simple wooden structure and was demolished in 1849. It was replaced with a sturdier more attractive building of Greek Revival features and stood for 15 years. On October 11, 1864 it is rumored that the notorious NY Loomis gang set fire to this building because they wanted to destroy county records since a gang member was on trial. Replacing the burned down building, the present building was erected on the old stone foundation, preserving the previous steps and porch floor. In 1909 the county seat was moved north to Wampsville, NY to more closely associate with businesses and travel along Scenic Route 5 Seneca Turnpike. In 1910 the courthouse became the main instructional and administrative facility on the newly established New York State School of Agriculture which later became Morrisville State College. The historic courthouse now sits on the edge of the college campus. http://www.madisonhall.org/

About Contra Dancing: WHAT TO EXPECT AT YOUR FIRST DANCE Contra dancing is easy to learn. It’s so easy to learn that you don’t take lessons. Just show up at a dance and by the end of the first night you’ll have learned all the dance moves and you will be able to enjoy the next dance even more. People are friendly and welcoming to beginners. The age range is from kids to folks that have been around for a while. Both singles and doubles come to contra dances and women as well as men ask people to dance. It is usual that you change partners after every dance. You will meet people in a relaxed, pleasant, smoke and alcohol free atmosphere. The patterns of the dance can be a tad confusing at first but remember everyone had a first time and that other dancers will help you. Listen to the caller and the music and go with the flow of the dance. Some people find they get dizzy at first. Looking directly at the person you are dancing with eliminates this sensation. For many, the music is what keeps them coming back as it is exciting and lively. People come to dance, hear the music, socialize and have a good time. Adapted from http://www.greatmeadowmusic.com/music.html

WHAT TO WEAR? Wear smooth soled shoes and comfortable light weight clothing. Some halls require non-street shoes so make sure the soles of shoes aren’t bringing grit onto the dance floor. Most people bring a bottle of drinking water. Contra dancing is joyous so it’s important that you bring a smile. Adapted from http://www.greatmeadowmusic.com/music.html

More information About Contra Dancing:

http://en.wikipedia.org/wiki/Contra_dance
http://tedcrane.com/DanceDB/DisplayDance.com/US_NY_ITH_TCCD
http://hands4dancers.org/
http://www.syracusecountrydancers.org/
http://www.canaaninstitute.org/
http://contra.binghamtondance.org/contra_calendar.htm
http://www.thedancegypsy.com/
http://www.oshanigans.org/
http://www.notesinegales.org/

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